Posted on Monday, November 12, 2018 2:11 PM EST
Last Updated on Monday, 12 November 2018 15:06 EST
LOS ANGELES – Stan Lee, a creative dynamo that revolutionized the comic strip and helped make billion for Hollywood by introducing human fragility in superheroes such as Spider-Man, Fantastic Four and Incredible Hulk, died on Monday. He was 95 years old.
Lee was pronounced dead at the Cedars-Sinai Medical Center in Los Angeles, according to Kirk Schenck, lawyer for Lee's daughter J.C. Lee.
As the best writer in Marvel Comics and later as her publisher, Lee was regarded as the architect of the modern comic book. He revived the industry in the 1960s by offering costumes and actions that younger readers waited for, while insisting on sophisticated plots, collegiate dialogue, satire, science fiction, even philosophy.
Millions responded to the amazing mix of realistic fantasy, many of its heroes, including Spider-Man, Hulk and X-Men, became movie stars. Recent projects to make possible the distances from "Black Panther" and "Doctor Strange" to such TV series as "Agents of S.H.I.E.L.D" and "Guardians of the Galaxy". Lee was recognized for his fans – he had films in Marvel's films and television projects, his gray gray color and his glasses.
"I think that everyone likes things that are bigger than life … I think they are like fairy tales for adults," The Associated Press said in an interview for 2006. "We all grew up with giants, ogres and witches. Well, you're a little older and are too old to read fairy tales. But I do not think that I would ever go beyond my love for such things, things that are bigger than life, magical and very imaginative. "
Lee considered that the medieval book was an art form and was fruitful: he prepared a new comic every day for every 10 years, according to some accounts.
"I wrote so much, which I do not even know, I wrote hundreds or thousands," the AP said in 2006.
When he brought Fantastic Four, Hulk, Spider-Man, Iron Man and many others, he struck his step in his sixties.
"It was as if something was in the air. I could not do anything wrong," he warned.
His heroes were far from virtues that were as successful as rival DC Comics Superman.
Fantastic four fought each other. Spider-Man was working in his superhero with his alter ego, Peter Parker, who suffered from unhealed mushrooms, money problems and dandruff. Silver Surfer, an alien who was condemned to the Earth's atmosphere, has been breathed by the disruptive nature of man. Hulk was marked by self-indulgence. Daredevil was blind and Iron Man had a weak heart.
"The beauty of Charlie Lee's characters is that they were the first heroes and superheroes," said Jeff Kline, executive producer of the animated television series "Me in Black", and in 1998 for The Blade of Toledo, Ohio.
Some of Lee's creations have become symbols of social change – for example, the internal search of Spider-Man, for example, 60th America, while The Black Panther and The Savage She-Hulk reflected the travail of minorities and women.
Lee wrote most of Marvel's superhero comics in the 1960s, among them Avengers and X-Men, which were the most durable. In 1972, he became Marvel's publisher and editor-in-chief; Four years later, 72 million copies of Spider-Man were sold.
"Our Mickey Mouse has become," he once said of a masked online crawling cruiser.
Lee published several books in 1977, including The Superhero Women in 1977 and How to Draw Comics the Marvel Way the following year when he was published by the Periodical and Book Association of America.
CBS turned Hulk into a successful television series, while Bill Bixby and Lou Ferrigno represented the sentenced scientists from 1978-82. The Spider-Man series was short-lived in 1978. Both characters were also featured in animated TV series.
The first great-looking film, based on Lee's characters, "X-Men", was smash in 2000, earning more than $ 130 million in North American theaters. Spider-Man made even better, spending more than 400 million dollars in 2002.
Stanley Martin Lieber was born on December 28, 1922 in New York. He grew up as a fan of Hardy Boys' adventure films and Errol Flynn's films, and after finishing high school, he worked on a timeline.
Within a few months, the editor and art director ceased to be, the remaining 17-year-old Lee, with creative control over a company that grew up and was renamed Atlas Comics and finally Marvel. Lieber changed his name because Lee used it for "stupid little comics" and his real name would be reserved for novels.
His early work largely reflected popular films – Westerners, criminal drama, romance, whatever rage at that time. He worked about 50 cents per page.
After the war in the army during World War II, who wrote for film training, he returned to Marvel to start a long and supposedly boring course for the production of a comic series.
Comic books in the 1950s were the subject of Senate Chambers supported by the Organic Codes, which were pointing to the mountains and signs that called for authority. Large comic companies have adopted the code as a form of self-regulation in order to avoid sanctions.
Lee said that he also worked for a publisher who rated comics as a ticket for children only.
"One day, I said," It's crazy, "Li told the Guardian in 1979." I'm doing the same kind of stories as everyone else. I was not proud of my work and I wanted to leave. But my wife said: "Look, why do not you make some comics that you want to change?" & # 39;
The result was the first number "The Fantastic Four" in 1960, with characters, plot and text from Lee and the illustration of famous Marvel's artist Jack Kirby.
Signs were normal people turned into random superheroes without their own blame.
Lee wrote in the "Origins of Marvel Comics," Lee described the quartet: "Characteristics would be personal characteristics that could be personally linked, meat and blood would have had their faults and weaknesses, they were far from possible, and most importantly – in their colorful, costumed shoes, they would still have feet of clay. "
"Amazing Spider-Man" followed in 1962 and recently Marvel Comics was an industrial firework.
Lee knew that his work was different and proudly warned that the stories were revealed in a number of issues so that they would not earn, but in order to better develop characters, situations and themes. He did not ignore his villains. One, Moleman, went bad when he was aged because of his appearance, Lee wrote, adding that it was "almost indecent in the comic" to explain why it was such a character at that time.
Lee's direct influence expired in the seventies when he gave up some of his editorial duties in Marvel. But with its branded white mustache and tinted sunglasses, it was the most recognizable figure of the industry. He lectured a lot about popular culture.
Lee moved to Los Angeles in 1981, where he led Marvel Productions, an animation studio that was later bought with Marvel Comics for $ 50 million, released by New World Entertainment.
Since the sale of comics declined, Marvel was forced into bankruptcy proceedings, which meant that he had to terminate a life contract that Leeu prohibits work for anyone else. Lee later sued Marvel for $ 10 million, and said that the company had deceived millions in profits from films based on his characters.
In 2000, Lee agreed to write stories for DC Comics, rediscovering Superman, Batman, Wonder Woman and other signs of signing for the one-time rival Marvel. DC Vice President and publisher Paul Levitz had nothing but compliments when an agreement was reached.
"With his art colleagues in Marvel, Stan co-created the richest imaginary universe ever built by the stripist himself," he said.
Dapper, a nice strip genius, continued to work in his 90s on numerous projects, including comics, films and DVDs.
In the late 1990s he began to take advantage of Internet enthusiasts offering animated "Webisodes" comic-like comic actions. Stan Lee Media has also been trying to make young people with online experience listen to pop artists Backstreet Boys and Mary J. Blige.
The company went bankrupt, and three men were accused of fraudulently cheating the company in a fraudsters. Lee was not involved.
After this initial failure, Lee designed a successful Pow! A fun company to run animated internet projects.
Lee survives his daughter, Joanie. His wife was 70 years old last year.
Associated newspapers Dave Zelio and John Rogers contributed to this story